Joy and Sorrow

Bernard, Ian, Peter, & Stephen in Manc

Y’know, I felt expectedly sad but still in control throughout Grant Gee’s documentary about Joy Division—long one of my favourite bands—before finally breaking down and sobbing over a visual pun at the end of it all. Gee had overlaid footage of a New Order performance of “Shadowplay” and footage of a Joy Division performance of same (one shadowing the other, you see) and, my God, what a terrible feeling of loss came over me.

Ian Curtis was gone before I’d ever even heard the band. I was introduced to the music of Joy Division by my friend Peter (who had eclectic tastes and who introduced me to a lot of interesting music) when I was in third-year university. At that time, the band’s dark and brooding post-punk music resonated with me and it has remained very important, very personal to me even though I’ve gone through a lot of changes since then. The intriguing thing about their music is that it just doesn’t sound dated. It doesn’t sound out of place today—nor has it ever, throughout all the years since it was laid into wax. They were way ahead of their time back then and, despite their minimal output, are generally considered a hugely influencial band.

I first heard of Gee’s documentary in the run-up to TIFF07, where it got its world premiere. This film, along with the North American premiere of a dramatized version of the story (Anton Corbijn’s Control) meant that Joy Division was certainly well represented at the film fest. Unfortunately, neither film screened during the few days I attended and—naturally—neither film ever showed up onscreen in the city where I live, so their release this summer on DVD was much anticipated.   Continue reading

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TIFF decisions

Okay, well, once the TIFF schedule came out, I took some time to go through it and figure out when would be the best time for me to go… It’s a much more expensive venture than going to Hot Docs (which I attended in its entirety), so I figured I’d look for the two- or three-day span that contained the highest number of screenings of the films at the top of my wish list.

I settled on September 10-12, inclusive.

Booked the same hotel I stayed in last year–the inconvenient and somewhat dumpy Days Inn in The Beaches–because it was too late to get anything downtown without offering up an arm or a leg for whatever handful of rooms might still be available. And I will need both arms and both legs for the upcoming half-marathon, so… The Beaches it is.

Happily, I was able to buy tickets to a bunch of screenings online at the TIFF website. So I have tickets for Diary of the Dead (George Romero’s new zombie film–and I can just hear your moans of jealousy all the way up here, ZombieKillah!),
This one's just eating your heart out, isn't it, Zeke?

as well as Stuck (Stuart Gordon), Encounters at the End of the World (Werner Herzog), Lou Reed’s Berlin (Julian Schnabel), and Man From Plains (Jonathan Demme). I do have time to see some others but I will play that by ear because I’d also like to see some friends while I’m in town.

It’s a drag, but neither of the Joy Division films are screening over those days. So I will miss out on them. *update* Pete Howell has a good interview with Control‘s director Anton Corbijn and star Sam Riley here.

Now, I’m going to try to update this thing as I go along, but I can’t make any promises. If I can nip into some internet cafés between screenings like I did last year, I will.

BTW, that “Chasing the Buzz” feature at the Star got referenced at the TIFF site in the very cool Midnight Madness blog. The Romero and Gordon films I’m seeing are part of the MM programme, but Stuck is the only actual midnight screening I’m attending. The Diary of the Dead midnight screening is tonight. I’m seeing it Monday afternoon.

And, thanks to the MM blog, here’s the first glimpse of a new documentary about The Master!

→ originally published 2007-09-08